Bibliographie élaborée par Fatiha Mouadi (doctorante, Paris 8), mise en ligne le 1 avril 2009 :
1. Bibliographie et chronologie de l’œuvre de Virginia Woolf
Fiction
The Voyage Out (1915)
Night and Day (1919)
Jacob’s Room (1922)
Mrs Dalloway (1925
To the Lighthouse (1927)
The Waves (1931)
The Years (1937)
Between the Acts (1941)
A Haunted House: The Complete Shorter Fiction (1944)
Biographie et théâtre :
Orlando: A Biography (1928)
Flush: A Biography (1933)
Freshwater: A Comedy (1935)
Roger Fry: A Biography (1940)
“Friendships Gallery”. Ellen Hawkes, éd. Twentieth Century Literature 25. 3-4 (automne-hiver 1979) pp. 270-302
Ecrits autobiographiques, journal, correspondance
A Writer’s Diary (1953), éd. Leonard Woolf.
Virginia Woolf and Lytton Strachey: Letters (1956), éds. Leonard Woolf et James Strachey.
The Diary of Virginia Woolf, ed. Anne Olivier Bell, éd. 5 vols.
• Vol. I : 1915-1919. (1977)
• Vol. II : 1920-1924. (1978)
• Vol. III : 1925-1930. (1980)
• Vol. IV : 1931-1935. (1982)
• Vol. V : 1936-1941. (1984)
Moments of Being (1976), éd. Jeanne Schulkind.
The Letters of Virginia Woolf, éds. Nigel Nicholson et Joanne Trautman. 6 vols.
• Vol. I : The Flight of the Mind, 1888-1912. (1975)
• Vol. II : The Questions of Things Happening, 1913-1922. (1976)
• Vol. III : A Change of Perspective, 1923-1928. (1977)
• Vol. IV : A Reflection of the Other Person, 1929-1931. (1978)
• Vol. V : The Sickle Side of the Moon, 1932-1935. (1979)
• Vol. VI : Leave the Letters Till We’re Dead, 1936-1941. (1980)
A Passionate Apprentice: The Early Journals of Virginia Woolf (1990), éds. Mitchell A. Leaska.
Essais critiques
The Common Reader First Series (1925)
The Common Reader Second Series (1932)
The Collected Essays (1925), 4 Volumes
A Room of One’s Own (1929)
Three Guineas (1938)
The Death of the Moth and Other Essays (1942)
The Moment and Other Essays (1947)
The Captain’s Deathbed and Other Stories. (1950)
Granite and Rainbow. (1958)
Virginia Woolf: Books and Portraits. (1977)
Virginia Woolf on Women and Writing (1979)
The Essays of Virginia Woolf (1986)
Autres ouvrages de Virginia Woolf:
A Cockney’s Farming Experience, (ed) S. Henig (San Diego State University Press, 1972)
‘Anon’ and ‘The Reader’, Twentieth Century literature 25 (1979)
The Complete Shorter Fiction, (ed.) Susan Dick (Hogarth, 1985)
The London Scene: Five Essays (Hogarth 1982)
Melymbrosia: An Early Version of ‘The Voyage Out’, (ed.) Louise Desalvo (New York Public Library, 1982)
Mrs Dalloway’s Party: A Short Story Sequence, (ed.) Stella McNichol (Hogarth 1973)
The Pargiters: The Novel-Essay Portion of The Years, (ed.) Mitchell Leaska (Hogarth, 1978)
A Passionate Apprentice: The Early Journals, 1897-1909, (ed.) Mitchell Leaska (Hogarth, 1990)
Pointz Hall: The earlier and Later Typescripts of Between the Acts, (ed.) Mitchell Leaska (New York University Press 1983)
‘A Terrible Tragedy in a Duckpond’, Independent on Sunday Magazine (8 April 1990)
‘To The Lighthouse’: The original Holograph Draft, (ed.) Susan Dick (Hogarth, 1983)
‘The Waves’: The Two Holograph Drafts, (ed.) J.W. Graham (Hogarth, 1976)
Women and Fiction: The Manuscript Versions of A Room of One’s Own, (ed.) S.P. Rosenbaum (Blackwell, 1992)
Women and Writing, Introduced by Michèle Barrett, (The Women’s Press, 1979)
2. Ouvrages Consacrés à Virginia Woolf :
Biographies:
Bell, Quentin. Virginia Woolf: A Biography, 2 vols. London: The Hogarth Press, 1972.
Bishop, Edward. A Virginia Woolf Chronology. London: Macmillan, 1988.
Briggs, Julia. Virginia Woolf: An Inner Life. London: Harcourt, 2005.
Gordon, Lyndall. Virginia Woolf: A Writer’s Life. Oxford: Oxford University Press, 1992.
Halbert-Bond, Alma. Who Killed Virginia Woolf? A Psychobiography. New York: Human Sciences Press, 1989.
King, James. Virginia Woolf. London: Penguin Books, 1995.
Leaska, Mitchell. Granite and Rainbow: The Hidden Life of Virginia Woolf. London: Picador, 1998.
Lee, Hermione. Virginia Woolf. London: Chatto & Windus, 1997.
Love, Jean O. Virginia Woolf: Sources of Madness and Art. Berkeley: The University of California Press, 1977.
Mepham, John. Virginia Woolf: A Literary Life. Basingstoke: Macmillan, 1996.
Pippett, Aileen. The Moth and the Star: A Biography of Virginia Woolf. Boston, Mass.: Little, Brown, & Co., 1969.
Poole, Roger. The Unknown Virginia Woolf. Cambridge: Cambridge University Press, 1978.
Rose, Phyllis. Woman of Letters: A Life of Virginia Woolf. New York: Oxford University Press, 1978.
Ouvrages critiques exclusivement consacrés à Virginia Woolf :
Abel, Elizabeth. Virginia Woolf and the Fiction of Psychoanalysis. Chicago: The University of Chicago Press, 1989.
Alexander, Jean. The Venture of Form in the Novels of Virginia Woolf. Port Washington: National University Publications, Kennibat Press, 1974.
Apter, Terence E. Virginia Woolf: A Study of her Novels. London: Macmillan, 1979.
Barrett, Eileen et Cramer, Patricia, éds. Re: Reading, Re: Writing, Re: Teaching Virginia Woolf. Selected Papers from the Fourth Annual Conference on Virginia Woolf. Bard College. 9-12 juin 1994. New York: Pace University Press, 1995.
Barrett, M., ‘Introduction’ to Virginia Woolf, Women and Writing. London: The Women’s Press, 1979.
Bazin, Nancy Topping. Virginia Woolf and the Androgynous Vision. New Jersy: Rutgers University Press, 1973.
Beer, Gillian. ‘Beyond Determinism: George Eliot and Virginia Woolf’ in (ed.) Mary Jacobus, Women Writing and Writing About Women. Croom Helm, 1979.
Beer, Gillian. Virginia Woolf: The Common Ground. Edinburgh: Edinburgh University Press, 1996.
Beja, Morris. (ed.), Virginia Woolf: ‘To The Lighthouse’: A Casebook. London: Macmillan, 1970.
-------. (ed.), Critical Essays on Virginia Woolf. G.K. Hall, 1985.
Bell, C.B., and Ohmann, C., ‘Virginia Woolf’s Criticism: A Polemical Preface’ in (ed.) J. Donovan, Feminist Literary Criticism: Explorations in Theory. Kentucky: University Press of Kentucky, 1975.
Bennett, John. Virginia Woolf: Her Art as a Novelist. New York: Harcourt, Brace and Co., 1954.
Blackstone, Bernard. Virginia Woolf. London: Longmans Green & Co., 1952.
-------. Virginia Woolf: A Commentary. New York: Harcourt Brace Jovanovich, 1949.
Brewster, Dorothy. Virginia Woolf’s London. London: George Allen & Unwin, 1959.
-------. Virginia Woolf. New York: New York University Press, 1962.
Bowlby, Rachel. Virginia Woolf: Feminist Destinations. London: Blackwell, 1988.
-------. Virginia Woolf. London: Longman, coll. “Longman Critical Readers”, 1992.
Bradbury, M., The Modern World: Ten Great Writers. London: Penguin, 1989.
Briggs, Julia, éd. Virginia Woolf: Introduction to the Major Works. London: Virago, 1994.
Caramagno, Thomas C. The Flight of the Mind: Virginia Woolf ‘s Art and Manic-Depressive Illness. Bekeley: The University of California Press, 1992.
Chambers, R. L. The Novels of Virginia Woolf. New York: Russel & Russel, 1947.
Chastaing, Maxime. La Philosophie de Virginia Woolf. Paris : Presses Universitaires de France, 1951.
Collins, Robert. Virginia Woolf’s Black Arrows of Sensation: « The Waves ». Ilfracombe: Arthur H. Stockwell, 1962.
Daugherty, Beth, et Barrett, Elieen, éd. Virginia Woolf: Texts and Contexts. Selected Papers from the Fifth Annual Conference on Virginia Woolf. Juin 1995. New York: Pace University Press, 1996.
Da Silva, N. Takeï. Modernism and Virginia Woolf. Windsor: Windsor Publications, 1990.
Daiches, David. Virginia Woolf. Norfolk: New Directions, 1942.
Delattre, Floris. Le Roman Psychologique de Virginia Woolf. Paris: J. Vrin, 1932.
DeSalvo, Louise. Virginia Woolf’s First Voyage: A Novel in the Making. London: Macmillan, 1980.
-------. Virginia Woolf: The Impact of Childhood Sexual Abuse on Her Life and Work. London: The Woman’s Press, 1991.
DiBattista, M., Virginia Woolf’s Major Novels: The Fables of Anon. Yale University Press, 1980.
Ferrer, Daniel. Virginia Woolf and the Madness of Language, trad. G. Bennington et R. Bowlby. London: Routledge, 1990.
Fleishman, Avrom. Virginia Woolf: A Critical Reading. Baltimore: Johns Hopkins University Press, 1975.
Forrester, Viviane. Virginia Woolf. Paris: l’Equinoxe, 1973.
Forster, E. M. Virginia Woolf (The Rede Lecture, 1941). London: Cambridge University Press, 1942.
Fox, Alice. Virginia Woolf and the Literature of the English Renaissance. Oxford: Clarendon Press, 1990.
Freedman, Ralph, éd. Virginia Woolf: Revaluation and Continuity. Berkeley: University of California Press, 1980.
Gallagher, Sarah Van Sickle. “The Fiction of the Self: Virginia Woolf and the Problem of Biography”. State University of New York, 1979. Dissertation Abstracts International 39.12: 7339A (juin 1979).
Gillespie, Diane F. The Sisters’ Arts: The Writing and Painting of Virginia Woolf and Vanessa Bell. Syracuse University Press, 1988.
-------. The Multiple Muses of Virginia Woolf. Columbia: The University of Missouri Press, 1993.
-------. éd. Virginia Woolf and the Arts. Selected Papers from the Siwth Annual Conference on Virginia Woolf. Clemson University, 13-16 juin 1996. New York: Pace University Press, 1997.
Ginsberg, Eliane, et Gottlieb, Laura. éd. Virginia Woolf: Centennial Essays. New York: The Whitston Publishing Company, 1983.
Goldman, M. The Reader’s Art: Virginia Woolf as Literary Critic. Mouton, 1976.
Gruber, Ruth. Virginia Woolf: A Study. Leipzig: Verlag von Bernhard Tauchnitz, 1935.
Guiguet, Jean. Virginia Woolf and her Works. Translated by Jean Stewart. London: The Hogarth Press, 1965.
Hafley, James. The Glass Roof: Virginia Woolf as Novelist. New York: Russel & Russel, 1954.
Hanson, Clare. Virginia Woolf. London: Macmillan, coll. “Women Writers”, 1994.
Harper, H. Between Language and Silence: The Novels of Virginia Woolf. Louisiana State University Press, 1982.
Hawthorn, J. Virginia Woolf’s ‘Mrs Dalloway’: A Study in Alienation. London: Chatto & Windus for Sussex University Press, 1975.
Holtby, Winifred. Virginia Woolf: A Critical Memoir. Colchester: Wishart & Co., 1932.
Homans, Margaret. Virginia Woolf: A Collection of Critical Essays. Englewood Cliffs: Prentice Hall, 1993.
Hussey, Mark. éd, The Singing of the Real World: The Philosophy of Virginia Woolf’s Fiction. Ohio State University Press, 1986.
-------. éd. Virginia Woolf and War: Fiction, Reality and Myth. Syracuse: Syracuse University Press, 1992.
Hussey, Mark, et Neverow-Turk, Vara, éd. Virginia Woolf Miscellanies: Proceeding from the First Annual Conference on Virginia Woolf. Pace University, New York. 7-9 juin 1991. New York: Pace University Press, 1992.
-------. Virginia Woolf: Themes and Variations. Selected Papers from the Second Annual Conference on Virginia Woolf. Southern Connecticut State University, New Haven, 11-14 juin 1992. New York: Pace University Press, 1993.
-------. Virginia Woolf: Emerging Perspectives. Selected Papers from the Third Annual Conference on Virginia Woolf. Lincoln University, Jefferson City. 10-13 juin 1993. New York: Pace University Press, 1994.
Johnston, Manly. Virginia Woolf. New York: Frederick Ungar, 1973.
Keller, Julia Irene. “A Poetics of Literary Biography: The Creation of ‘Virginia Woolf’”. Ohio State University, 1996. Dissertation Abstracts International 57. 10: 4380 (avril 1997).
Kirkpatrik, B.J. A Bibliography of Virginia Woolf. London: Rupert Hart-Davis, 1957.
Latham, Jacqueline E. M., éd. Critics on Virginia Woolf. Coral Gables, Fla.: University of Miami Press, 1970.
Leaska, Mitchell A. Virginia Woolf’s Lighthouse: A Study in Critical Method. London: The Hogarth Press, 1970.
------. The Novels of Virginia Woolf from Beginning to End. USA: John Jay Press; UK: Weidenfeld & Nicholson, 1977.
Lee, Hermione. The Novels of Virginia Woolf. Methuem, 1977.
Lehmann, John. Virginia Woolf. Thames & Hudson, 1975.
Lewis, Thomas S. W., éd. Virginia Woolf: A Collection of Criticism. New York: McGraw-Hill Book Co., 1975.
Love, Jean O. Worlds in Consciousness: Mythopoetic Thoughts in the Novels of Virginia Woolf. Berkeley: The University of California Press, 1970.
Majumdar, Robin. Virginia Woolf: An Annotated Bibliography of Criticism 1915-1974. Garland, 1976.
Majumdar, Robin and McLaurin, Allen, eds. Virginia Woolf: The Critical Heritage. London: Routledge and Kegan Paul, 1975.
Marcus, Jane. New Feminist Essays on Virginia Woolf. London: Macmillan, 1981.
-------. ed. Virginia Woolf: A Feminist Slant. London: University of Nebraska Press, 1983.
-------. Virginia Woolf and the Language of Patriarchy. Bloomington: Indiana University Press, 1987.
-------. ed. Virginia Woolf and Bloomsbury: A Centenary Celebration. London: Macmillan, 1987.
-------. “The Years as Greek Drama, Domestic Novel and Gotterdammerung”, Bulletin of the New York Public Library 80 (1970).
-------.Art and Anger: Reading Like a Woman. Ohio State University Press for Miami University, 1988.
Marder, Herbert. Feminism and Art. A Study of Virginia Woolf. Chicago: The University of Chicago Press, 1968.
Meisel, P. The Absent Father: Virginia Woolf and Walter Pater. Yale University Press, 1980.
McLaurin, Allen. Virginia Woolf: The Echoes Enslaved. London: Cambridge University Press, 1973.
McNett, Jeanne. “Virginia Woolf on Biography: Theory and Praxis”. University of Massachussetts, 1980. Dissertation Abstracts International 41.3: 1065A (septembre 1980).
McNichol, S. Virginia Woolf and the Poetry of Fiction. London: Routledge, Chapman & Hall, 1990. Minow-Pinkney, Makiko. Virginia Wlolf and the Problem of the Subject. Brighton: The Harvester Press, 1987.
Moody, A. D. Virginia Woolf. New York: Grove Press, 1963.
Moore, M. The Short Season Between Two Silences: The Mystical and the Political in the Novels of Virginia Woolf. George Allen & Unwin, 1984.
Naremore, James. The World Without a Self. London: Yale University Press, 1973.
Nathan, Monique. Virginia Woolf. Paris: Editions du Seuil, coll. “Ecrivains de toujours”, 1956.
Noble, Joan Russell, ed. Recollections of Virginia Woolf. New York: William Morrow, 1972.
Novak, Jane. The Razor Edge of Balance: A Study of Virginia Woolf. Coral Gables, Fla.: University of Miami Press, 1975.
Pellan, Françoise. L’Ancrage et le voyage. Théorie et pratique de l’écriture littéraire dans l’œuvre de Virginia Woolf. Thèse de Doctorat d’Etat, Université de Lyon, 1994.
------. Virginia Woolf : l’ancrage et le voyage. Lyon : Presses Universitaires de Lyon, 1974.
Radin, G. Virginia Woolf’s ‘The Years’: The Evolution of a Novel. The University of Tennessee Press, 1981.
Reid, Su, ed. The Critics Debate ‘To the Lighthouse’. London: Macmillan, 1991.
------. Mrs Dalloway and To the Lighthouse: Contemporary Critical Essays. London: Macmillan, New Casebook, 1993.
Rice, T. Virginia Woolf: A Guide to Research. Garland, 1984.
Richter, Harvena. Virginia Woolf: The Inward Voyage. Princeton: Princeton University Press, 1970.
Roe, Sue. Writing and Gender: Virginia Woolf’s Writing Practice. London: Harvester Wheatsheaf, 1990.
Rose. P. Woman of Letters: A Life of Virginia Woolf. London: Routledge & Kegan Paul, 1978.
------. Writing of Women: Essays in a Renaissance. Wesleyan university Press, 1978.
Rosenbaum, S.P. The Bloomsbury Group: A Collection of Memoirs, Commentary and Criticism. University of Toronto Press, 1975.
Rosenthal, M. Virginia Woolf. London: Routledge & Kegan Paul, 1979.
Rubinow-Gorsky, Susan. Virginia Woolf. Boston: Twayne Publishers, 1978.
Ruotolo, Lucio. The Interrupted Moment: A View of Virginia Woolf’s Novels. Stanford: Stanford University Press, 1986.
Schaefer, Josephine O’Brien. The Three Fold Nature of Reality in the Novels of Virginia Woolf. The Hague: Mouton, 1956.
Schlock, B.A. Continuing Presences: Virginia Woolf’s Use of Literary Allusion. Pennsylvania State University Press, 1979.
Silver, B. Virginia Woolf’s Reading Notebooks. Princeton University Press, 1983.
Spilka, M. Virginia Woolf’s Quarrel with Grieving. University of Nebraska Press, 1980.
Sprague, Claire, ed. A Collection of Critical Essays. Englewood Cliffs: Prentice Hall, 1971.
Squier, S.M. Virginia Woolf and London: The Sexual Politics of the City. University of North Carolina Press, 1985.
Stape, J. M., ed. Virginia Woolf: Interviews and Recollections. London: Macmillan, 1995.
Steele, E. Virginia Woolf’s Literary Sources and Allusions. Garland, 1983.
Thakur, N. C. The Symbolism of Virginia Woolf. London: Oxford University Press, 1956.
Transue, Pamela J. Virginia Woolf and the Politics of Style. New York: New York State University Press, 1986.
Vigne, Marie-Paule. “Le Thème de l’eau dans l’œuvre de Virginia Woolf”. Thèse de Doctorat d’Etat dirigée par Jean Guiguet, Université de Nice, 1980. Bordeaux : Presses Universitaires, 1984.
Vogler, Thomas A., ed. Twentieth Century Interpretations of “To The Lighthouse”. Englewood Cliffs, N.J.: Prentice-Hall, 1970.
Warner, E., ed. Virginia Woolf: A Centenary Perspective. London: Macmillan, 1984.
Weiser, B. ‘Criticism of Virginia Woolf 1956 to the Present: A Selected Checklist With an Index to Studies of Separate Works’, Modern Fiction Studies 18 (1972), pp. 477-86
Wheare, J. Virginia Woolf: Dramatic Novelist. London: Macmillan, 1989.
Zwerdling, Alex. Virginia Woolf and the Real World. Berkeley: The University of California Press, 1986.
Ouvrages critiques partiellement consacrés à Virginia Woolf :
Beer, Gillian. Arguing with the Past. Essays in Narrative from Woolf to Sidney. London: Routledge, 1989.
Beja, Morris. Epigraphy in the Modern Novel. Seattle, Wash.: University of Washington Press, 1971.
Bell, Quentin. Bloomsbury. London: Weidenfeld & Nicolson, 1968.
Bodkin, Maud. Archetypal Patterns in Poetry: Psychological Studies of Imagination. London: Oxford University Press, 1934.
Burgum, Edwin Berry. The Novel and the Word’s Dilemma. New York: Russell & Russell, 1963.
Church, Margaret. Time and Reality: Studies in Contemporary Fiction. Chapell Hill, N.C.: University of North Carolina Press, 1949.
Cornwell, Ethel F. The “Still Point”: Theme and Variations in the Writings of T.S. Eliot, Coleridge, Yeats, Henry James, E. Forster, Virginia Woolf, and D.H. Laurence. New Brunswick, N.J.: Rutgers University Press, 1962.
Cox, C. B. The Free Spirit: A Study of Liberal Humanism in the Novels of George Eliot, Henry James, E. Forster, Virginia Woolf, Angus Wilson. London: Oxford University Press, 1963.
Da Silva, Takei. Modernism and Virginia Woolf. Windsor: Windsor Publications, 1990.
Daiches, David. The Novel and the Modern World. Chicago: University of Chicago Press, 1960.
DeSalvo, Louise, et Leaska A. Mitchell, éd. The letters of Vita Sackville West to Virginia Woolf: London: Virago, 1997.
Dowling, D. Bloomsbury Aesthetics and the Novels of Forster and Woolf. London: Macmillan, 1985.
Edel, Leon. Bloomsbury: A House of Lions. London: Hogarth, 1979.
------. The Modern Psychological Novel. New York: Grosset & Dunlap, 1955.
Fogel, Daniel Mark. Covert Relations: James Joyce, Virginia Woolf and Henry James. Charlottesville: University Press of Virginia, 1990.
Ford, Borris, ed. The Modern Age: Volume 7 of the Pelican Guide to English Literature. 3rd ed. Middlesex: Penguin Books, 1964.
Freedman, Ralph. The Lyrical Novel: Studies in Hermann Hesse, André Gide, and Virginia Woolf. Princeton, N.J.: Princeton University Press, 1963.
Friedman, Melvin J. and John B. Vickery, eds. The Shaken Realist: Essays in Modern Literature in Honor of Frederick J. Hoffman. Baton Rouge, La.: Louisiana State University Press, 1970.
Frye, Northrop. Anatomy of Criticism: Four Essays. Princeton, N.J.: Princeton University Press, 1957.
Gordon, L. Contemporary Writers. London: Hogarth, 1965.
Heilbrun, Carolyn. Towards Androgyny: Aspects of Male and Female in Literature. London: Gollancz, 1973.
------. Writing a Woman’s Life. London: The Women’s Press, 1988.
Hirsch, Marianne. The Mother/Daughter Plot: Narrative, Psychoanalysis, Feminism. Bloomington: Indiana University Press, 1989.
Hoare, Dorothy M. Some Studies in the Modern Novel. London: Chatto & Windus, 1953.
Hochman, B. The Test of Character from the Victorian Novel to the Modern. Associated University Presses, 1983.
Homans, Margaret. Bearing the Word: Language and Female Experience in Nineteenth century Women’s Writing. Chicago: Chicago University Press, 1986.
Johnstone, John Keith. The Bloomsbury Group: A Study of E.M. Forster, Lytton Strachey, Virginia Woolf, and their Circle. New York: Noonday Press, 1954.
Kaplan, Sydney Janet. Feminine Consciousness in the Modern British Novel. Urbana, Ill.: University of Illinois Press, 1975.
Laurence, Patricia. The Reading of Silence: Virginia Woolf in the English Tradition. Stanford: Stanford University Press, 1991.
Levenson, Michael. Modernism and the Fate of Individuality: Character and Novelistic Form from Conrad to Woolf. Cambridge: Cambridge University Press, 1991.
Little, J. Comedy and the Woman Writer: Woolf, Spark and Feminism. University of Nebraska Press, 1983.
Meisel, Perry. The Absent Father: Virginia Woolf and Walter Pater. New Haven: Yale University Press, 1980.
Nalbatian, Susanne. Aesthetic Autobiography. From Life to Art in Marcel Proust, James Joyce, Virginia Woolf and Anaïs Nin. London: Macmillan, 1994.
O’Connor, William Van, ed. Forms of Modern Fiction: Essays Collected in Honor of joseph Warren Beach. Minneapolis, Minn.: University of Minnesota Press, 1948.
Pendry, E. D. The New Feminism of English Fiction: A Study in Contemporary Women-Novelists. Tokyo: Kenkyusha, 1956.
Raitt, Suzanne. Vita and Virginia. The Work and Friendship of Vita Sackville-West and Virginia Woolf. New York: Oxford University Press, 1993.
Roe, Sue, ed. Women Reading Women’s Writing. Brighton: Harvester Press, 1987.
Rosenbaum, S. P., ed. English Literature and British Philosophy: A Collection of Essays. Chicago: University of Chicago Press, 1971.
Rosenberg, Beth Carole. Virginia Woolf and Samuel Johnson: Common Readers. New York: St Martin’s Press, 1995.
Savage, D. S. The Withered Branch: Six Studies in the Modern Novel. London: Eyre & Spottiswoode, 1950.
Saxton, Ruth et Tobin, Jean, ed. Woolf and Lessing: Breaking the Mould. London: Macmillan, 1994.
Showalter, Eliane. A Literature of Their Own: British Women Novelists From Brontë to Lessing. London: Virago, 1978.
Spacks, Patricia Meyer. The Female Imagination. New York: Avon, 1972.
Spater, George, et Parsons, Ian. A Marriage of True Minds: An Intimate Portrait of Leonard & Virginia Woolf. London: The Hogarth Press, 1977.
Steinberg, E. ed. The Stream of Consciousness Technique in the Modern Novel. Kennikat Press, 1979.
Stubbs, P. Women and Fiction: Feminism and the Novel 1880-1920. London: Harvester, 1979.
Trautmann, Joanne. The Jessamy Brides. University Park: Pennsylvania State University, 1973. Thickstun, W.R. Visionary Closure in the Modern Novel. London: Macmillan, 1988.
Vickery, John B., ed. Myth and Literature: Contemporary Theory and Practice. Lincoln, Neb.: University ob Nebraska Press, 1966.
Woolf, Leonard. The Journey Not the Arrival Matters: an Autobiography of the Years 1939 to 1969. New York: Harcourt Brace Jovanovich, 1969.
Sélection d’articles consacrés à Virginia Woolf :
Baldanza, Frank. “Orlando and the Sackvilles”, Proceedings of the Modern Languages Association of American 70 (1955): pp. 274-9.
-------. “Clarissa Dalloway’s ‘Party Consciousness.’” Modern Fiction Studies 2 (February 1956): 24-30.
Beebe, Maurice. “Criticism of Virginia Woolf: A Selected Checklist with an Index to Studies of Separate Works.” Modern Fiction Studies 2 (February 1956): 36-45.
Beer, Gillian. “The Body of the People in Virginia Woolf.” Women Reading Women’s Writing. Sue Roe, ed. Brighton: Harvester Press, 1987. 85-114.
------. “The Island and the Aeroplane: The Case of Virginia Woolf.” Virginia Woolf. Rachel Bowlby, ed. London: Longman, 1992. pp. 132-61.
Beja, Mourice. “Matches Struck in the Dark: Virginia Woolf’s Moments of Vision.” Critical Quarterly 6 (Summer 1964): 137-52.
Bell, Quentin. “Virginia Woolf’s Politics.” Virginia Woolf Miscellany N° 20. Spring, 1983.
------. “Who’s Afraid for Virginia Woolf?” New York Review (15 March 1990), pp. 3-5.
Benjamin, Anna S. “Towards an Understanding of the Meaning of Virginia Woolf’s Mrs. Dalloway.” Wisconsin Studies in Contemporary Literature 6 (Summer 1965): 214-27.
Benzel, Kathryn N. “Reading Readers in Virginia Woolf’s Orlando: A Biography.” Style 28.2 (été 1994): pp. 169-82.
Bevis, Dorothy. “The Waves: Fusion of Symbol, Style and Thought in Virginia Woolf.” Twentieth Century Literature 2 (April 1956): 5-19.
Birat, Katie. “Feminist Principles and Fictional Strategies: Otherness as a Narrative Strategy in Sisters and Strangers by Emma Tennant and Orlando by Virginia Woolf”. Actes du Colloque, Le Mans, novembre 1991. L’Altérité dans la littérature et la culture du monde Anglophone. Le Mans : Publications de l’Université du Maine, 1993.pp.115-36.
Blau DuPlessis, Rachel. “‘Amor Vin--’: Modifications of Romance in Woolf.” Virginia Woolf: A Collection of Critical Essays. Margaret Homans, ed. New Jersey: Prentice Hall, 1993. pp. 115-36.
Boehm, Beth A. “Fact, Fiction and Metafiction: Blurred Gen(d)res in Orlando and A Room of One’s Own”. Journal of Narrative Technique 22. 3 (1992): pp. 191-204.
Bowen, Elizabeth. “Between the Acts.” New Statesman and Nation 22 (July 1941): 63-64.
Bowlby, Rachel. Introduction. Orlando: A Biography. London: The Hogarth Press, 1928. Rééd. Oxford University Press, 1992. pp.XII-XLVII.
Briggs, Julia. “Virginia Woolf and ‘The Proper Writing of Lives.’” The Art of Literary Biography. John Batchelor, éd. Oxford: Clarendon Press, 1995. pp. 245-65.
Caughie, Pamela. “Flush and Literary Canon: Oh Where Has That Little Dog Gone?” Tulsa Studies in Women’s Literature 10.1 (1991): pp.47-66.
Church, Margaret. “Concepts of Time in the Novels of Virginia Woolf and Aldous Huxley.” Modern Fiction Studies 1 (May 1955): pp. 19-24.
Cook Wiesen, Blanche. “Women Alone Stir My Imagination. Lesbianism and the Cultural Imagination.” Signs: Journal of Women in Culture and Society 4. 4 (1979)
Cooley, Elizabeth. “Revolutionizing Biography: Orlando, Roger Fry, and the Tradition.” South Atlantic Review 55. 2 (1990): pp. 71-83.
Cramer, Patricia. “Notes from Underground: Lesbian Ritual in the Writings of Virginia Woolf.” Virginia Woolf Miscellanies. Mark Hussey et Vara Neverow-Turk, éds. New York: Pace University Press, 1992. pp. 177-83.
Cummings, Melinda Feldt. “Night and Day: Virginia Woolf’s Visionary Synthesis of Reality.” Modern Fiction Studies 18 (Autumn 1972): pp. 339-49.
DeSalvo, Louise. “Lighting the Cave: The Relationship between Vita Sackville-West and Virginia Woolf.” Signs: Journal of Women in Culture and Society 8. 2 (hiver 1982): pp. 195-214.
Eberly, David. “Housebroken: The Domesticated Relations of Flush.” Virginia Woolf: Texts and Contexts. Bess Daugherty et Eileen Barrett, éds. New York: Pace University Press, 1996. pp. 21-25.
Ferrer, Daniel. “Récit, métamorphose du récit, récit de métamorphose du récit: quelques éléments programmatiques de génétique woolfienne.” Revue de la Société d’Etudes Woolfiennes, octobre 1997. pp. 3-15.
Flesher, Erika. “Picturing the Truth in Fiction: Re-visionary Biography and the Illustrative Portraits of Orlando.” Virginia Woolf and the Arts. Diane Gillespie, éd. New York: Pace University Press, 1997. pp. 39-47.
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